Ramoncín marca el final de una época con la publicación del triple DVD 'Canciones desnudas Vol.2'
Con la mirada "puesta hacia delante" y con la intención de grabar un nuevo disco en otoño, Ramoncín se detiene por unos instantes, mira al pasado y publica el triple DVD 'Canciones desnudas Vol 2', una edición limitada y numerada para fans y coleccionistas, que recoge el concierto grabado en la sala La Riviera de Madrid en 2003 con motivo de sus 25 años sobre los escenarios.
En 2003, Ramón J. Márquez, Ramoncín, celebró sus veinticinco años de carrera con la publicación de un álbum, 'Canciones desnudas', y la celebración de un concierto, que ahora edita la Factoría Autor en un triple DVD, en el que, además de las imágenes de aquella emotiva velada musical, se repasa una trayectoria de transgresión y rebeldía, de canciones provocadoras que ya forman parte de la historia del rock español. Este trabajo sirve para poner fin a una etapa de la carrera musical del artista.
'Canciones desnudas Vol. 2' recoge en su integridad el concierto de La Riviera,
PUBLICIDAD
en el que sonaron clásicos de su repertorio como 'Reina de la noche', 'Putney Bridge', 'Blues para un camello', 'Miedo a soñar' o 'Al límite', hasta un total de 25 cortes. El trabajo incluye sus canciones más emblemáticas desde 1976 hasta 2003. Además, incluye una larga entrevista con el artista, diversos vídeos musicales y fragmentos de algunas actuaciones celebradas entre mediados de los 80 y principios de los 90 en emplazamientos como la Casa de Campo de Madrid, las plazas de toros de Barcelona, Alcalá de Henares y Huesca o el polideportivo Anaitasuna, de Pamplona.
TEMAS DE SIEMPRE
"Ya está bien del pasado. Doy por terminada mi relación con algunas de las canciones que me han acompañado durante estos 25 años de carrera musical. Voy a dejar de tocar algunos de los temas para siempre", dijo hoy un músico que reconoce haber hecho siempre lo que ha querido. "Me gusta renovarme. Innovar, aunque me critiquen. No quiero aferrarme al pasado", señaló Ramoncín, que no reduce su música a un solo estilo, sino que dice ha tocado el punk, el rock urbano o los ritmos poperos. "He hecho lo que he sabido", puntualizó.
Este trabajo marco un antes y un después y "el final de una época", a la que pondrá fin el próximo otoño con un nuevo trabajo que le gustaría poder grabar en directo en vez de en estudio, un trabajo que le "aburre". "Soy muy rebelde para meterme en un estudio a grabar", afirmó, señalando que le gustaría grabar sus nuevos temas en un teatro a modo del musical 'Cabaret'.
"Tengo mucha ilusión en las canciones que estoy componiendo.
Reconozco que me he tomado un tiempo para volver como músico", prosiguió Ramoncín, explicando que de haber proseguido con su carrera musical en los 90 habría abandonado este mundillo definitivamente.
"Tras el doble directo no pude seguir. Quizá perdí una oportunidad de un nuevo disco con más éxito, pero no me arrepiento", afirmó.
Ramoncín también tuvo duras palabras para los críticos musicales, y denunció que se anclen al pasado, sobre todo a los años 80. "Habría que hacer una revisión de los 60 y los 70", dijo. También tuvo un recuerdo para los jóvenes rockeros que se perdieron en aquellos años.
"La gran tragedia del rock en España ha sido la cantidad de gente joven que ha desaparecido".
SPRINGSTEEN
En otro orden de cosas, criticó que se trate mejor a las estrellas internacionales que a las nacionales y, en concreto, se refirió a los próximos conciertos de Bruce Springsteen en Madrid y Barcelona, cuyas entradas solo pudieron comprarse por teléfono y son nominativas. "No entiendo cómo la crítica musical no se ha echado encima", aseveró, destacando que, pese a que le gusta el 'Boss', estos conciertos serán sólo "para dar la tabarra".
El periodista radiofónico Jesús Ordovás acompañó al veterano músico en la presentación. "Estamos ante uno de los grandes creadores de la música en este país", dijo, destacando "la fuerza expresiva de las letras de las canciones de Ramón; comparables a las de Bob Dylan o Bruce Springsteen". "Ramón sirvió de gran influencia a otros grupos del momento, como Burning, que dejaron de cantar en inglés al darse cuenta de que el rock en español de Ramoncín funcionaba", concluyó.
Comentarios
eres un dios, mil veces mejor q el resto de dioses. No se puede comparar ninguna musica con la tuya. Ya quisiera mozart, chopin o beethoveen tener tus cualidades, y esa pluma, que ni Lope de Vega. me rindo ante tí, quiero un hijo tuyo, guapo. me enamoras cada vez que te veo, eres pura belleza, ni tan siquiera di caprio se te acerca de lejos, bombón.
no puedes salir d mi cabeza
me estoy masturbando con tu cara
moncín marca el final de una época con la publicación del triple DVD 'Canciones desnudas Vol.2'
Con la mirada "puesta hacia delante" y con la intención de grabar un nuevo disco en otoño, Ramoncín se detiene por unos instantes, mira al pasado y publica el triple DVD 'Canciones desnudas Vol 2', una edición limitada y numerada para fans y coleccionistas, que recoge el concierto grabado en la sala La Riviera de Madrid en 2003 con motivo de sus 25 años sobre los escenarios.
En 2003, Ramón J. Márquez, Ramoncín, celebró sus veinticinco años de carrera con la publicación de un álbum, 'Canciones desnudas', y la celebración de un concierto, que ahora edita la Factoría Autor en un triple DVD, en el que, además de las imágenes de aquella emotiva velada musical, se repasa una trayectoria de transgresión y rebeldía, de canciones provocadoras que ya forman parte de la historia del rock español. Este trabajo sirve para poner fin a una etapa de la carrera musical del artista.
'Canciones desnudas Vol. 2' recoge en su integridad el concierto de La Riviera,
PUBLICIDAD
en el que sonaron clásicos de su repertorio como 'Reina de la noche', 'Putney Bridge', 'Blues para un camello', 'Miedo a soñar' o 'Al límite', hasta un total de 25 cortes. El trabajo incluye sus canciones más emblemáticas desde 1976 hasta 2003. Además, incluye una larga entrevista con el artista, diversos vídeos musicales y fragmentos de algunas actuaciones celebradas entre mediados de los 80 y principios de los 90 en emplazamientos como la Casa de Campo de Madrid, las plazas de toros de Barcelona, Alcalá de Henares y Huesca o el polideportivo Anaitasuna, de Pamplona.
TEMAS DE SIEMPRE
"Ya está bien del pasado. Doy por terminada mi relación con algunas de las canciones que me han acompañado durante estos 25 años de carrera musical. Voy a dejar de tocar algunos de los temas para siempre", dijo hoy un músico que reconoce haber hecho siempre lo que ha querido. "Me gusta renovarme. Innovar, aunque me critiquen. No quiero aferrarme al pasado", señaló Ramoncín, que no reduce su música a un solo estilo, sino que dice ha tocado el punk, el rock urbano o los ritmos poperos. "He hecho lo que he sabido", puntualizó.
Este trabajo marco un antes y un después y "el final de una época", a la que pondrá fin el próximo otoño con un nuevo trabajo que le gustaría poder grabar en directo en vez de en estudio, un trabajo que le "aburre". "Soy muy rebelde para meterme en un estudio a grabar", afirmó, señalando que le gustaría grabar sus nuevos temas en un teatro a modo del musical 'Cabaret'.
"Tengo mucha ilusión en las canciones que estoy componiendo.
Reconozco que me he tomado un tiempo para volver como músico", prosiguió Ramoncín, explicando que de haber proseguido con su carrera musical en los 90 habría abandonado este mundillo definitivamente.
"Tras el doble directo no pude seguir. Quizá perdí una oportunidad de un nuevo disco con más éxito, pero no me arrepiento", afirmó.
Ramoncín también tuvo duras palabras para los críticos musicales, y denunció que se anclen al pasado, sobre todo a los años 80. "Habría que hacer una revisión de los 60 y los 70", dijo. También tuvo un recuerdo para los jóvenes rockeros que se perdieron en aquellos años.
"La gran tragedia del rock en España ha sido la cantidad de gente joven que ha desaparecido".
SPRINGSTEEN
En otro orden de cosas, criticó que se trate mejor a las estrellas internacionales que a las nacionales y, en concreto, se refirió a los próximos conciertos de Bruce Springsteen en Madrid y Barcelona, cuyas entradas solo pudieron comprarse por teléfono y son nominativas. "No entiendo cómo la crítica musical no se ha echado encima", aseveró, destacando que, pese a que le gusta el 'Boss', estos conciertos serán sólo "para dar la tabarra".
El periodista radiofónico Jesús Ordovás acompañó al veterano músico en la presentación. "Estamos ante uno de los grandes creadores de la música en este país", dijo, destacando "la fuerza expresiva de las letras de las canciones de Ramón; comparables a las de Bob Dylan o Bruce Springsteen". "Ramón sirvió de gran influencia a otros grupos del momento, como Burning, que dejaron de cantar en inglés al darse cuenta de que el rock en español de Ramoncín funcionaba", concluyó.
moncín marca el final de una época con la publicación del triple DVD 'Canciones desnudas Vol.2'
Con la mirada "puesta hacia delante" y con la intención de grabar un nuevo disco en otoño, Ramoncín se detiene por unos instantes, mira al pasado y publica el triple DVD 'Canciones desnudas Vol 2', una edición limitada y numerada para fans y coleccionistas, que recoge el concierto grabado en la sala La Riviera de Madrid en 2003 con motivo de sus 25 años sobre los escenarios.
En 2003, Ramón J. Márquez, Ramoncín, celebró sus veinticinco años de carrera con la publicación de un álbum, 'Canciones desnudas', y la celebración de un concierto, que ahora edita la Factoría Autor en un triple DVD, en el que, además de las imágenes de aquella emotiva velada musical, se repasa una trayectoria de transgresión y rebeldía, de canciones provocadoras que ya forman parte de la historia del rock español. Este trabajo sirve para poner fin a una etapa de la carrera musical del artista.
'Canciones desnudas Vol. 2' recoge en su integridad el concierto de La Riviera,
PUBLICIDAD
en el que sonaron clásicos de su repertorio como 'Reina de la noche', 'Putney Bridge', 'Blues para un camello', 'Miedo a soñar' o 'Al límite', hasta un total de 25 cortes. El trabajo incluye sus canciones más emblemáticas desde 1976 hasta 2003. Además, incluye una larga entrevista con el artista, diversos vídeos musicales y fragmentos de algunas actuaciones celebradas entre mediados de los 80 y principios de los 90 en emplazamientos como la Casa de Campo de Madrid, las plazas de toros de Barcelona, Alcalá de Henares y Huesca o el polideportivo Anaitasuna, de Pamplona.
TEMAS DE SIEMPRE
"Ya está bien del pasado. Doy por terminada mi relación con algunas de las canciones que me han acompañado durante estos 25 años de carrera musical. Voy a dejar de tocar algunos de los temas para siempre", dijo hoy un músico que reconoce haber hecho siempre lo que ha querido. "Me gusta renovarme. Innovar, aunque me critiquen. No quiero aferrarme al pasado", señaló Ramoncín, que no reduce su música a un solo estilo, sino que dice ha tocado el punk, el rock urbano o los ritmos poperos. "He hecho lo que he sabido", puntualizó.
Este trabajo marco un antes y un después y "el final de una época", a la que pondrá fin el próximo otoño con un nuevo trabajo que le gustaría poder grabar en directo en vez de en estudio, un trabajo que le "aburre". "Soy muy rebelde para meterme en un estudio a grabar", afirmó, señalando que le gustaría grabar sus nuevos temas en un teatro a modo del musical 'Cabaret'.
"Tengo mucha ilusión en las canciones que estoy componiendo.
Reconozco que me he tomado un tiempo para volver como músico", prosiguió Ramoncín, explicando que de haber proseguido con su carrera musical en los 90 habría abandonado este mundillo definitivamente.
"Tras el doble directo no pude seguir. Quizá perdí una oportunidad de un nuevo disco con más éxito, pero no me arrepiento", afirmó.
Ramoncín también tuvo duras palabras para los críticos musicales, y denunció que se anclen al pasado, sobre todo a los años 80. "Habría que hacer una revisión de los 60 y los 70", dijo. También tuvo un recuerdo para los jóvenes rockeros que se perdieron en aquellos años.
"La gran tragedia del rock en España ha sido la cantidad de gente joven que ha desaparecido".
SPRINGSTEEN
En otro orden de cosas, criticó que se trate mejor a las estrellas internacionales que a las nacionales y, en concreto, se refirió a los próximos conciertos de Bruce Springsteen en Madrid y Barcelona, cuyas entradas solo pudieron comprarse por teléfono y son nominativas. "No entiendo cómo la crítica musical no se ha echado encima", aseveró, destacando que, pese a que le gusta el 'Boss', estos conciertos serán sólo "para dar la tabarra".
El periodista radiofónico Jesús Ordovás acompañó al veterano músico en la presentación. "Estamos ante uno de los grandes creadores de la música en este país", dijo, destacando "la fuerza expresiva de las letras de las canciones de Ramón; comparables a las de Bob Dylan o Bruce Springsteen". "Ramón sirvió de gran influencia a otros grupos del momento, como Burning, que dejaron de cantar en inglés al darse cuenta de que el rock en español de Ramoncín funcionaba", concluyó.
moncín marca el final de una época con la publicación del triple DVD 'Canciones desnudas Vol.2'
Con la mirada "puesta hacia delante" y con la intención de grabar un nuevo disco en otoño, Ramoncín se detiene por unos instantes, mira al pasado y publica el triple DVD 'Canciones desnudas Vol 2', una edición limitada y numerada para fans y coleccionistas, que recoge el concierto grabado en la sala La Riviera de Madrid en 2003 con motivo de sus 25 años sobre los escenarios.
En 2003, Ramón J. Márquez, Ramoncín, celebró sus veinticinco años de carrera con la publicación de un álbum, 'Canciones desnudas', y la celebración de un concierto, que ahora edita la Factoría Autor en un triple DVD, en el que, además de las imágenes de aquella emotiva velada musical, se repasa una trayectoria de transgresión y rebeldía, de canciones provocadoras que ya forman parte de la historia del rock español. Este trabajo sirve para poner fin a una etapa de la carrera musical del artista.
'Canciones desnudas Vol. 2' recoge en su integridad el concierto de La Riviera,
PUBLICIDAD
en el que sonaron clásicos de su repertorio como 'Reina de la noche', 'Putney Bridge', 'Blues para un camello', 'Miedo a soñar' o 'Al límite', hasta un total de 25 cortes. El trabajo incluye sus canciones más emblemáticas desde 1976 hasta 2003. Además, incluye una larga entrevista con el artista, diversos vídeos musicales y fragmentos de algunas actuaciones celebradas entre mediados de los 80 y principios de los 90 en emplazamientos como la Casa de Campo de Madrid, las plazas de toros de Barcelona, Alcalá de Henares y Huesca o el polideportivo Anaitasuna, de Pamplona.
TEMAS DE SIEMPRE
"Ya está bien del pasado. Doy por terminada mi relación con algunas de las canciones que me han acompañado durante estos 25 años de carrera musical. Voy a dejar de tocar algunos de los temas para siempre", dijo hoy un músico que reconoce haber hecho siempre lo que ha querido. "Me gusta renovarme. Innovar, aunque me critiquen. No quiero aferrarme al pasado", señaló Ramoncín, que no reduce su música a un solo estilo, sino que dice ha tocado el punk, el rock urbano o los ritmos poperos. "He hecho lo que he sabido", puntualizó.
Este trabajo marco un antes y un después y "el final de una época", a la que pondrá fin el próximo otoño con un nuevo trabajo que le gustaría poder grabar en directo en vez de en estudio, un trabajo que le "aburre". "Soy muy rebelde para meterme en un estudio a grabar", afirmó, señalando que le gustaría grabar sus nuevos temas en un teatro a modo del musical 'Cabaret'.
"Tengo mucha ilusión en las canciones que estoy componiendo.
Reconozco que me he tomado un tiempo para volver como músico", prosiguió Ramoncín, explicando que de haber proseguido con su carrera musical en los 90 habría abandonado este mundillo definitivamente.
"Tras el doble directo no pude seguir. Quizá perdí una oportunidad de un nuevo disco con más éxito, pero no me arrepiento", afirmó.
Ramoncín también tuvo duras palabras para los críticos musicales, y denunció que se anclen al pasado, sobre todo a los años 80. "Habría que hacer una revisión de los 60 y los 70", dijo. También tuvo un recuerdo para los jóvenes rockeros que se perdieron en aquellos años.
"La gran tragedia del rock en España ha sido la cantidad de gente joven que ha desaparecido".
SPRINGSTEEN
En otro orden de cosas, criticó que se trate mejor a las estrellas internacionales que a las nacionales y, en concreto, se refirió a los próximos conciertos de Bruce Springsteen en Madrid y Barcelona, cuyas entradas solo pudieron comprarse por teléfono y son nominativas. "No entiendo cómo la crítica musical no se ha echado encima", aseveró, destacando que, pese a que le gusta el 'Boss', estos conciertos serán sólo "para dar la tabarra".
El periodista radiofónico Jesús Ordovás acompañó al veterano músico en la presentación. "Estamos ante uno de los grandes creadores de la música en este país", dijo, destacando "la fuerza expresiva de las letras de las canciones de Ramón; comparables a las de Bob Dylan o Bruce Springsteen". "Ramón sirvió de gran influencia a otros grupos del momento, como Burning, que dejaron de cantar en inglés al darse cuenta de que el rock en español de Ramoncín funcionaba", concluyó.
moncín marca el final de una época con la publicación del triple DVD 'Canciones desnudas Vol.2'
Con la mirada "puesta hacia delante" y con la intención de grabar un nuevo disco en otoño, Ramoncín se detiene por unos instantes, mira al pasado y publica el triple DVD 'Canciones desnudas Vol 2', una edición limitada y numerada para fans y coleccionistas, que recoge el concierto grabado en la sala La Riviera de Madrid en 2003 con motivo de sus 25 años sobre los escenarios.
En 2003, Ramón J. Márquez, Ramoncín, celebró sus veinticinco años de carrera con la publicación de un álbum, 'Canciones desnudas', y la celebración de un concierto, que ahora edita la Factoría Autor en un triple DVD, en el que, además de las imágenes de aquella emotiva velada musical, se repasa una trayectoria de transgresión y rebeldía, de canciones provocadoras que ya forman parte de la historia del rock español. Este trabajo sirve para poner fin a una etapa de la carrera musical del artista.
'Canciones desnudas Vol. 2' recoge en su integridad el concierto de La Riviera,
PUBLICIDAD
en el que sonaron clásicos de su repertorio como 'Reina de la noche', 'Putney Bridge', 'Blues para un camello', 'Miedo a soñar' o 'Al límite', hasta un total de 25 cortes. El trabajo incluye sus canciones más emblemáticas desde 1976 hasta 2003. Además, incluye una larga entrevista con el artista, diversos vídeos musicales y fragmentos de algunas actuaciones celebradas entre mediados de los 80 y principios de los 90 en emplazamientos como la Casa de Campo de Madrid, las plazas de toros de Barcelona, Alcalá de Henares y Huesca o el polideportivo Anaitasuna, de Pamplona.
TEMAS DE SIEMPRE
"Ya está bien del pasado. Doy por terminada mi relación con algunas de las canciones que me han acompañado durante estos 25 años de carrera musical. Voy a dejar de tocar algunos de los temas para siempre", dijo hoy un músico que reconoce haber hecho siempre lo que ha querido. "Me gusta renovarme. Innovar, aunque me critiquen. No quiero aferrarme al pasado", señaló Ramoncín, que no reduce su música a un solo estilo, sino que dice ha tocado el punk, el rock urbano o los ritmos poperos. "He hecho lo que he sabido", puntualizó.
Este trabajo marco un antes y un después y "el final de una época", a la que pondrá fin el próximo otoño con un nuevo trabajo que le gustaría poder grabar en directo en vez de en estudio, un trabajo que le "aburre". "Soy muy rebelde para meterme en un estudio a grabar", afirmó, señalando que le gustaría grabar sus nuevos temas en un teatro a modo del musical 'Cabaret'.
"Tengo mucha ilusión en las canciones que estoy componiendo.
Reconozco que me he tomado un tiempo para volver como músico", prosiguió Ramoncín, explicando que de haber proseguido con su carrera musical en los 90 habría abandonado este mundillo definitivamente.
"Tras el doble directo no pude seguir. Quizá perdí una oportunidad de un nuevo disco con más éxito, pero no me arrepiento", afirmó.
Ramoncín también tuvo duras palabras para los críticos musicales, y denunció que se anclen al pasado, sobre todo a los años 80. "Habría que hacer una revisión de los 60 y los 70", dijo. También tuvo un recuerdo para los jóvenes rockeros que se perdieron en aquellos años.
"La gran tragedia del rock en España ha sido la cantidad de gente joven que ha desaparecido".
SPRINGSTEEN
En otro orden de cosas, criticó que se trate mejor a las estrellas internacionales que a las nacionales y, en concreto, se refirió a los próximos conciertos de Bruce Springsteen en Madrid y Barcelona, cuyas entradas solo pudieron comprarse por teléfono y son nominativas. "No entiendo cómo la crítica musical no se ha echado encima", aseveró, destacando que, pese a que le gusta el 'Boss', estos conciertos serán sólo "para dar la tabarra".
El periodista radiofónico Jesús Ordovás acompañó al veterano músico en la presentación. "Estamos ante uno de los grandes creadores de la música en este país", dijo, destacando "la fuerza expresiva de las letras de las canciones de Ramón; comparables a las de Bob Dylan o Bruce Springsteen". "Ramón sirvió de gran influencia a otros grupos del momento, como Burning, que dejaron de cantar en inglés al darse cuenta de que el rock en español de Ramoncín funcionaba", concluyó.
moncín marca el final de una época con la publicación del triple DVD 'Canciones desnudas Vol.2'
Con la mirada "puesta hacia delante" y con la intención de grabar un nuevo disco en otoño, Ramoncín se detiene por unos instantes, mira al pasado y publica el triple DVD 'Canciones desnudas Vol 2', una edición limitada y numerada para fans y coleccionistas, que recoge el concierto grabado en la sala La Riviera de Madrid en 2003 con motivo de sus 25 años sobre los escenarios.
En 2003, Ramón J. Márquez, Ramoncín, celebró sus veinticinco años de carrera con la publicación de un álbum, 'Canciones desnudas', y la celebración de un concierto, que ahora edita la Factoría Autor en un triple DVD, en el que, además de las imágenes de aquella emotiva velada musical, se repasa una trayectoria de transgresión y rebeldía, de canciones provocadoras que ya forman parte de la historia del rock español. Este trabajo sirve para poner fin a una etapa de la carrera musical del artista.
'Canciones desnudas Vol. 2' recoge en su integridad el concierto de La Riviera,
PUBLICIDAD
en el que sonaron clásicos de su repertorio como 'Reina de la noche', 'Putney Bridge', 'Blues para un camello', 'Miedo a soñar' o 'Al límite', hasta un total de 25 cortes. El trabajo incluye sus canciones más emblemáticas desde 1976 hasta 2003. Además, incluye una larga entrevista con el artista, diversos vídeos musicales y fragmentos de algunas actuaciones celebradas entre mediados de los 80 y principios de los 90 en emplazamientos como la Casa de Campo de Madrid, las plazas de toros de Barcelona, Alcalá de Henares y Huesca o el polideportivo Anaitasuna, de Pamplona.
TEMAS DE SIEMPRE
"Ya está bien del pasado. Doy por terminada mi relación con algunas de las canciones que me han acompañado durante estos 25 años de carrera musical. Voy a dejar de tocar algunos de los temas para siempre", dijo hoy un músico que reconoce haber hecho siempre lo que ha querido. "Me gusta renovarme. Innovar, aunque me critiquen. No quiero aferrarme al pasado", señaló Ramoncín, que no reduce su música a un solo estilo, sino que dice ha tocado el punk, el rock urbano o los ritmos poperos. "He hecho lo que he sabido", puntualizó.
Este trabajo marco un antes y un después y "el final de una época", a la que pondrá fin el próximo otoño con un nuevo trabajo que le gustaría poder grabar en directo en vez de en estudio, un trabajo que le "aburre". "Soy muy rebelde para meterme en un estudio a grabar", afirmó, señalando que le gustaría grabar sus nuevos temas en un teatro a modo del musical 'Cabaret'.
"Tengo mucha ilusión en las canciones que estoy componiendo.
Reconozco que me he tomado un tiempo para volver como músico", prosiguió Ramoncín, explicando que de haber proseguido con su carrera musical en los 90 habría abandonado este mundillo definitivamente.
"Tras el doble directo no pude seguir. Quizá perdí una oportunidad de un nuevo disco con más éxito, pero no me arrepiento", afirmó.
Ramoncín también tuvo duras palabras para los críticos musicales, y denunció que se anclen al pasado, sobre todo a los años 80. "Habría que hacer una revisión de los 60 y los 70", dijo. También tuvo un recuerdo para los jóvenes rockeros que se perdieron en aquellos años.
"La gran tragedia del rock en España ha sido la cantidad de gente joven que ha desaparecido".
SPRINGSTEEN
En otro orden de cosas, criticó que se trate mejor a las estrellas internacionales que a las nacionales y, en concreto, se refirió a los próximos conciertos de Bruce Springsteen en Madrid y Barcelona, cuyas entradas solo pudieron comprarse por teléfono y son nominativas. "No entiendo cómo la crítica musical no se ha echado encima", aseveró, destacando que, pese a que le gusta el 'Boss', estos conciertos serán sólo "para dar la tabarra".
El periodista radiofónico Jesús Ordovás acompañó al veterano músico en la presentación. "Estamos ante uno de los grandes creadores de la música en este país", dijo, destacando "la fuerza expresiva de las letras de las canciones de Ramón; comparables a las de Bob Dylan o Bruce Springsteen". "Ramón sirvió de gran influencia a otros grupos del momento, como Burning, que dejaron de cantar en inglés al darse cuenta de que el rock en español de Ramoncín funcionaba", concluyó.
moncín marca el final de una época con la publicación del triple DVD 'Canciones desnudas Vol.2'
Con la mirada "puesta hacia delante" y con la intención de grabar un nuevo disco en otoño, Ramoncín se detiene por unos instantes, mira al pasado y publica el triple DVD 'Canciones desnudas Vol 2', una edición limitada y numerada para fans y coleccionistas, que recoge el concierto grabado en la sala La Riviera de Madrid en 2003 con motivo de sus 25 años sobre los escenarios.
En 2003, Ramón J. Márquez, Ramoncín, celebró sus veinticinco años de carrera con la publicación de un álbum, 'Canciones desnudas', y la celebración de un concierto, que ahora edita la Factoría Autor en un triple DVD, en el que, además de las imágenes de aquella emotiva velada musical, se repasa una trayectoria de transgresión y rebeldía, de canciones provocadoras que ya forman parte de la historia del rock español. Este trabajo sirve para poner fin a una etapa de la carrera musical del artista.
'Canciones desnudas Vol. 2' recoge en su integridad el concierto de La Riviera,
PUBLICIDAD
en el que sonaron clásicos de su repertorio como 'Reina de la noche', 'Putney Bridge', 'Blues para un camello', 'Miedo a soñar' o 'Al límite', hasta un total de 25 cortes. El trabajo incluye sus canciones más emblemáticas desde 1976 hasta 2003. Además, incluye una larga entrevista con el artista, diversos vídeos musicales y fragmentos de algunas actuaciones celebradas entre mediados de los 80 y principios de los 90 en emplazamientos como la Casa de Campo de Madrid, las plazas de toros de Barcelona, Alcalá de Henares y Huesca o el polideportivo Anaitasuna, de Pamplona.
TEMAS DE SIEMPRE
"Ya está bien del pasado. Doy por terminada mi relación con algunas de las canciones que me han acompañado durante estos 25 años de carrera musical. Voy a dejar de tocar algunos de los temas para siempre", dijo hoy un músico que reconoce haber hecho siempre lo que ha querido. "Me gusta renovarme. Innovar, aunque me critiquen. No quiero aferrarme al pasado", señaló Ramoncín, que no reduce su música a un solo estilo, sino que dice ha tocado el punk, el rock urbano o los ritmos poperos. "He hecho lo que he sabido", puntualizó.
Este trabajo marco un antes y un después y "el final de una época", a la que pondrá fin el próximo otoño con un nuevo trabajo que le gustaría poder grabar en directo en vez de en estudio, un trabajo que le "aburre". "Soy muy rebelde para meterme en un estudio a grabar", afirmó, señalando que le gustaría grabar sus nuevos temas en un teatro a modo del musical 'Cabaret'.
"Tengo mucha ilusión en las canciones que estoy componiendo.
Reconozco que me he tomado un tiempo para volver como músico", prosiguió Ramoncín, explicando que de haber proseguido con su carrera musical en los 90 habría abandonado este mundillo definitivamente.
"Tras el doble directo no pude seguir. Quizá perdí una oportunidad de un nuevo disco con más éxito, pero no me arrepiento", afirmó.
Ramoncín también tuvo duras palabras para los críticos musicales, y denunció que se anclen al pasado, sobre todo a los años 80. "Habría que hacer una revisión de los 60 y los 70", dijo. También tuvo un recuerdo para los jóvenes rockeros que se perdieron en aquellos años.
"La gran tragedia del rock en España ha sido la cantidad de gente joven que ha desaparecido".
SPRINGSTEEN
En otro orden de cosas, criticó que se trate mejor a las estrellas internacionales que a las nacionales y, en concreto, se refirió a los próximos conciertos de Bruce Springsteen en Madrid y Barcelona, cuyas entradas solo pudieron comprarse por teléfono y son nominativas. "No entiendo cómo la crítica musical no se ha echado encima", aseveró, destacando que, pese a que le gusta el 'Boss', estos conciertos serán sólo "para dar la tabarra".
El periodista radiofónico Jesús Ordovás acompañó al veterano músico en la presentación. "Estamos ante uno de los grandes creadores de la música en este país", dijo, destacando "la fuerza expresiva de las letras de las canciones de Ramón; comparables a las de Bob Dylan o Bruce Springsteen". "Ramón sirvió de gran influencia a otros grupos del momento, como Burning, que dejaron de cantar en inglés al darse cuenta de que el rock en español de Ramoncín funcionaba", concluyó.
moncín marca el final de una época con la publicación del triple DVD 'Canciones desnudas Vol.2'
Con la mirada "puesta hacia delante" y con la intención de grabar un nuevo disco en otoño, Ramoncín se detiene por unos instantes, mira al pasado y publica el triple DVD 'Canciones desnudas Vol 2', una edición limitada y numerada para fans y coleccionistas, que recoge el concierto grabado en la sala La Riviera de Madrid en 2003 con motivo de sus 25 años sobre los escenarios.
En 2003, Ramón J. Márquez, Ramoncín, celebró sus veinticinco años de carrera con la publicación de un álbum, 'Canciones desnudas', y la celebración de un concierto, que ahora edita la Factoría Autor en un triple DVD, en el que, además de las imágenes de aquella emotiva velada musical, se repasa una trayectoria de transgresión y rebeldía, de canciones provocadoras que ya forman parte de la historia del rock español. Este trabajo sirve para poner fin a una etapa de la carrera musical del artista.
'Canciones desnudas Vol. 2' recoge en su integridad el concierto de La Riviera,
PUBLICIDAD
en el que sonaron clásicos de su repertorio como 'Reina de la noche', 'Putney Bridge', 'Blues para un camello', 'Miedo a soñar' o 'Al límite', hasta un total de 25 cortes. El trabajo incluye sus canciones más emblemáticas desde 1976 hasta 2003. Además, incluye una larga entrevista con el artista, diversos vídeos musicales y fragmentos de algunas actuaciones celebradas entre mediados de los 80 y principios de los 90 en emplazamientos como la Casa de Campo de Madrid, las plazas de toros de Barcelona, Alcalá de Henares y Huesca o el polideportivo Anaitasuna, de Pamplona.
TEMAS DE SIEMPRE
"Ya está bien del pasado. Doy por terminada mi relación con algunas de las canciones que me han acompañado durante estos 25 años de carrera musical. Voy a dejar de tocar algunos de los temas para siempre", dijo hoy un músico que reconoce haber hecho siempre lo que ha querido. "Me gusta renovarme. Innovar, aunque me critiquen. No quiero aferrarme al pasado", señaló Ramoncín, que no reduce su música a un solo estilo, sino que dice ha tocado el punk, el rock urbano o los ritmos poperos. "He hecho lo que he sabido", puntualizó.
Este trabajo marco un antes y un después y "el final de una época", a la que pondrá fin el próximo otoño con un nuevo trabajo que le gustaría poder grabar en directo en vez de en estudio, un trabajo que le "aburre". "Soy muy rebelde para meterme en un estudio a grabar", afirmó, señalando que le gustaría grabar sus nuevos temas en un teatro a modo del musical 'Cabaret'.
"Tengo mucha ilusión en las canciones que estoy componiendo.
Reconozco que me he tomado un tiempo para volver como músico", prosiguió Ramoncín, explicando que de haber proseguido con su carrera musical en los 90 habría abandonado este mundillo definitivamente.
"Tras el doble directo no pude seguir. Quizá perdí una oportunidad de un nuevo disco con más éxito, pero no me arrepiento", afirmó.
Ramoncín también tuvo duras palabras para los críticos musicales, y denunció que se anclen al pasado, sobre todo a los años 80. "Habría que hacer una revisión de los 60 y los 70", dijo. También tuvo un recuerdo para los jóvenes rockeros que se perdieron en aquellos años.
"La gran tragedia del rock en España ha sido la cantidad de gente joven que ha desaparecido".
SPRINGSTEEN
En otro orden de cosas, criticó que se trate mejor a las estrellas internacionales que a las nacionales y, en concreto, se refirió a los próximos conciertos de Bruce Springsteen en Madrid y Barcelona, cuyas entradas solo pudieron comprarse por teléfono y son nominativas. "No entiendo cómo la crítica musical no se ha echado encima", aseveró, destacando que, pese a que le gusta el 'Boss', estos conciertos serán sólo "para dar la tabarra".
El periodista radiofónico Jesús Ordovás acompañó al veterano músico en la presentación. "Estamos ante uno de los grandes creadores de la música en este país", dijo, destacando "la fuerza expresiva de las letras de las canciones de Ramón; comparables a las de Bob Dylan o Bruce Springsteen". "Ramón sirvió de gran influencia a otros grupos del momento, como Burning, que dejaron de cantar en inglés al darse cuenta de que el rock en español de Ramoncín funcionaba", concluyó.
moncín marca el final de una época con la publicación del triple DVD 'Canciones desnudas Vol.2'
Con la mirada "puesta hacia delante" y con la intención de grabar un nuevo disco en otoño, Ramoncín se detiene por unos instantes, mira al pasado y publica el triple DVD 'Canciones desnudas Vol 2', una edición limitada y numerada para fans y coleccionistas, que recoge el concierto grabado en la sala La Riviera de Madrid en 2003 con motivo de sus 25 años sobre los escenarios.
En 2003, Ramón J. Márquez, Ramoncín, celebró sus veinticinco años de carrera con la publicación de un álbum, 'Canciones desnudas', y la celebración de un concierto, que ahora edita la Factoría Autor en un triple DVD, en el que, además de las imágenes de aquella emotiva velada musical, se repasa una trayectoria de transgresión y rebeldía, de canciones provocadoras que ya forman parte de la historia del rock español. Este trabajo sirve para poner fin a una etapa de la carrera musical del artista.
'Canciones desnudas Vol. 2' recoge en su integridad el concierto de La Riviera,
PUBLICIDAD
en el que sonaron clásicos de su repertorio como 'Reina de la noche', 'Putney Bridge', 'Blues para un camello', 'Miedo a soñar' o 'Al límite', hasta un total de 25 cortes. El trabajo incluye sus canciones más emblemáticas desde 1976 hasta 2003. Además, incluye una larga entrevista con el artista, diversos vídeos musicales y fragmentos de algunas actuaciones celebradas entre mediados de los 80 y principios de los 90 en emplazamientos como la Casa de Campo de Madrid, las plazas de toros de Barcelona, Alcalá de Henares y Huesca o el polideportivo Anaitasuna, de Pamplona.
TEMAS DE SIEMPRE
"Ya está bien del pasado. Doy por terminada mi relación con algunas de las canciones que me han acompañado durante estos 25 años de carrera musical. Voy a dejar de tocar algunos de los temas para siempre", dijo hoy un músico que reconoce haber hecho siempre lo que ha querido. "Me gusta renovarme. Innovar, aunque me critiquen. No quiero aferrarme al pasado", señaló Ramoncín, que no reduce su música a un solo estilo, sino que dice ha tocado el punk, el rock urbano o los ritmos poperos. "He hecho lo que he sabido", puntualizó.
Este trabajo marco un antes y un después y "el final de una época", a la que pondrá fin el próximo otoño con un nuevo trabajo que le gustaría poder grabar en directo en vez de en estudio, un trabajo que le "aburre". "Soy muy rebelde para meterme en un estudio a grabar", afirmó, señalando que le gustaría grabar sus nuevos temas en un teatro a modo del musical 'Cabaret'.
"Tengo mucha ilusión en las canciones que estoy componiendo.
Reconozco que me he tomado un tiempo para volver como músico", prosiguió Ramoncín, explicando que de haber proseguido con su carrera musical en los 90 habría abandonado este mundillo definitivamente.
"Tras el doble directo no pude seguir. Quizá perdí una oportunidad de un nuevo disco con más éxito, pero no me arrepiento", afirmó.
Ramoncín también tuvo duras palabras para los críticos musicales, y denunció que se anclen al pasado, sobre todo a los años 80. "Habría que hacer una revisión de los 60 y los 70", dijo. También tuvo un recuerdo para los jóvenes rockeros que se perdieron en aquellos años.
"La gran tragedia del rock en España ha sido la cantidad de gente joven que ha desaparecido".
SPRINGSTEEN
En otro orden de cosas, criticó que se trate mejor a las estrellas internacionales que a las nacionales y, en concreto, se refirió a los próximos conciertos de Bruce Springsteen en Madrid y Barcelona, cuyas entradas solo pudieron comprarse por teléfono y son nominativas. "No entiendo cómo la crítica musical no se ha echado encima", aseveró, destacando que, pese a que le gusta el 'Boss', estos conciertos serán sólo "para dar la tabarra".
El periodista radiofónico Jesús Ordovás acompañó al veterano músico en la presentación. "Estamos ante uno de los grandes creadores de la música en este país", dijo, destacando "la fuerza expresiva de las letras de las canciones de Ramón; comparables a las de Bob Dylan o Bruce Springsteen". "Ramón sirvió de gran influencia a otros grupos del momento, como Burning, que dejaron de cantar en inglés al darse cuenta de que el rock en español de Ramoncín funcionaba", concluyó.
moncín marca el final de una época con la publicación del triple DVD 'Canciones desnudas Vol.2'
Con la mirada "puesta hacia delante" y con la intención de grabar un nuevo disco en otoño, Ramoncín se detiene por unos instantes, mira al pasado y publica el triple DVD 'Canciones desnudas Vol 2', una edición limitada y numerada para fans y coleccionistas, que recoge el concierto grabado en la sala La Riviera de Madrid en 2003 con motivo de sus 25 años sobre los escenarios.
En 2003, Ramón J. Márquez, Ramoncín, celebró sus veinticinco años de carrera con la publicación de un álbum, 'Canciones desnudas', y la celebración de un concierto, que ahora edita la Factoría Autor en un triple DVD, en el que, además de las imágenes de aquella emotiva velada musical, se repasa una trayectoria de transgresión y rebeldía, de canciones provocadoras que ya forman parte de la historia del rock español. Este trabajo sirve para poner fin a una etapa de la carrera musical del artista.
'Canciones desnudas Vol. 2' recoge en su integridad el concierto de La Riviera,
PUBLICIDAD
en el que sonaron clásicos de su repertorio como 'Reina de la noche', 'Putney Bridge', 'Blues para un camello', 'Miedo a soñar' o 'Al límite', hasta un total de 25 cortes. El trabajo incluye sus canciones más emblemáticas desde 1976 hasta 2003. Además, incluye una larga entrevista con el artista, diversos vídeos musicales y fragmentos de algunas actuaciones celebradas entre mediados de los 80 y principios de los 90 en emplazamientos como la Casa de Campo de Madrid, las plazas de toros de Barcelona, Alcalá de Henares y Huesca o el polideportivo Anaitasuna, de Pamplona.
TEMAS DE SIEMPRE
"Ya está bien del pasado. Doy por terminada mi relación con algunas de las canciones que me han acompañado durante estos 25 años de carrera musical. Voy a dejar de tocar algunos de los temas para siempre", dijo hoy un músico que reconoce haber hecho siempre lo que ha querido. "Me gusta renovarme. Innovar, aunque me critiquen. No quiero aferrarme al pasado", señaló Ramoncín, que no reduce su música a un solo estilo, sino que dice ha tocado el punk, el rock urbano o los ritmos poperos. "He hecho lo que he sabido", puntualizó.
Este trabajo marco un antes y un después y "el final de una época", a la que pondrá fin el próximo otoño con un nuevo trabajo que le gustaría poder grabar en directo en vez de en estudio, un trabajo que le "aburre". "Soy muy rebelde para meterme en un estudio a grabar", afirmó, señalando que le gustaría grabar sus nuevos temas en un teatro a modo del musical 'Cabaret'.
"Tengo mucha ilusión en las canciones que estoy componiendo.
Reconozco que me he tomado un tiempo para volver como músico", prosiguió Ramoncín, explicando que de haber proseguido con su carrera musical en los 90 habría abandonado este mundillo definitivamente.
"Tras el doble directo no pude seguir. Quizá perdí una oportunidad de un nuevo disco con más éxito, pero no me arrepiento", afirmó.
Ramoncín también tuvo duras palabras para los críticos musicales, y denunció que se anclen al pasado, sobre todo a los años 80. "Habría que hacer una revisión de los 60 y los 70", dijo. También tuvo un recuerdo para los jóvenes rockeros que se perdieron en aquellos años.
"La gran tragedia del rock en España ha sido la cantidad de gente joven que ha desaparecido".
SPRINGSTEEN
En otro orden de cosas, criticó que se trate mejor a las estrellas internacionales que a las nacionales y, en concreto, se refirió a los próximos conciertos de Bruce Springsteen en Madrid y Barcelona, cuyas entradas solo pudieron comprarse por teléfono y son nominativas. "No entiendo cómo la crítica musical no se ha echado encima", aseveró, destacando que, pese a que le gusta el 'Boss', estos conciertos serán sólo "para dar la tabarra".
El periodista radiofónico Jesús Ordovás acompañó al veterano músico en la presentación. "Estamos ante uno de los grandes creadores de la música en este país", dijo, destacando "la fuerza expresiva de las letras de las canciones de Ramón; comparables a las de Bob Dylan o Bruce Springsteen". "Ramón sirvió de gran influencia a otros grupos del momento, como Burning, que dejaron de cantar en inglés al darse cuenta de que el rock en español de Ramoncín funcionaba", concluyó.
moncín marca el final de una época con la publicación del triple DVD 'Canciones desnudas Vol.2'
Con la mirada "puesta hacia delante" y con la intención de grabar un nuevo disco en otoño, Ramoncín se detiene por unos instantes, mira al pasado y publica el triple DVD 'Canciones desnudas Vol 2', una edición limitada y numerada para fans y coleccionistas, que recoge el concierto grabado en la sala La Riviera de Madrid en 2003 con motivo de sus 25 años sobre los escenarios.
En 2003, Ramón J. Márquez, Ramoncín, celebró sus veinticinco años de carrera con la publicación de un álbum, 'Canciones desnudas', y la celebración de un concierto, que ahora edita la Factoría Autor en un triple DVD, en el que, además de las imágenes de aquella emotiva velada musical, se repasa una trayectoria de transgresión y rebeldía, de canciones provocadoras que ya forman parte de la historia del rock español. Este trabajo sirve para poner fin a una etapa de la carrera musical del artista.
'Canciones desnudas Vol. 2' recoge en su integridad el concierto de La Riviera,
PUBLICIDAD
en el que sonaron clásicos de su repertorio como 'Reina de la noche', 'Putney Bridge', 'Blues para un camello', 'Miedo a soñar' o 'Al límite', hasta un total de 25 cortes. El trabajo incluye sus canciones más emblemáticas desde 1976 hasta 2003. Además, incluye una larga entrevista con el artista, diversos vídeos musicales y fragmentos de algunas actuaciones celebradas entre mediados de los 80 y principios de los 90 en emplazamientos como la Casa de Campo de Madrid, las plazas de toros de Barcelona, Alcalá de Henares y Huesca o el polideportivo Anaitasuna, de Pamplona.
TEMAS DE SIEMPRE
"Ya está bien del pasado. Doy por terminada mi relación con algunas de las canciones que me han acompañado durante estos 25 años de carrera musical. Voy a dejar de tocar algunos de los temas para siempre", dijo hoy un músico que reconoce haber hecho siempre lo que ha querido. "Me gusta renovarme. Innovar, aunque me critiquen. No quiero aferrarme al pasado", señaló Ramoncín, que no reduce su música a un solo estilo, sino que dice ha tocado el punk, el rock urbano o los ritmos poperos. "He hecho lo que he sabido", puntualizó.
Este trabajo marco un antes y un después y "el final de una época", a la que pondrá fin el próximo otoño con un nuevo trabajo que le gustaría poder grabar en directo en vez de en estudio, un trabajo que le "aburre". "Soy muy rebelde para meterme en un estudio a grabar", afirmó, señalando que le gustaría grabar sus nuevos temas en un teatro a modo del musical 'Cabaret'.
"Tengo mucha ilusión en las canciones que estoy componiendo.
Reconozco que me he tomado un tiempo para volver como músico", prosiguió Ramoncín, explicando que de haber proseguido con su carrera musical en los 90 habría abandonado este mundillo definitivamente.
"Tras el doble directo no pude seguir. Quizá perdí una oportunidad de un nuevo disco con más éxito, pero no me arrepiento", afirmó.
Ramoncín también tuvo duras palabras para los críticos musicales, y denunció que se anclen al pasado, sobre todo a los años 80. "Habría que hacer una revisión de los 60 y los 70", dijo. También tuvo un recuerdo para los jóvenes rockeros que se perdieron en aquellos años.
"La gran tragedia del rock en España ha sido la cantidad de gente joven que ha desaparecido".
SPRINGSTEEN
En otro orden de cosas, criticó que se trate mejor a las estrellas internacionales que a las nacionales y, en concreto, se refirió a los próximos conciertos de Bruce Springsteen en Madrid y Barcelona, cuyas entradas solo pudieron comprarse por teléfono y son nominativas. "No entiendo cómo la crítica musical no se ha echado encima", aseveró, destacando que, pese a que le gusta el 'Boss', estos conciertos serán sólo "para dar la tabarra".
El periodista radiofónico Jesús Ordovás acompañó al veterano músico en la presentación. "Estamos ante uno de los grandes creadores de la música en este país", dijo, destacando "la fuerza expresiva de las letras de las canciones de Ramón; comparables a las de Bob Dylan o Bruce Springsteen". "Ramón sirvió de gran influencia a otros grupos del momento, como Burning, que dejaron de cantar en inglés al darse cuenta de que el rock en español de Ramoncín funcionaba", concluyó.
ramoncin es gilipollassssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssss
ramoncin es 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